Showing posts with label peru archangel michael panel truck message. Show all posts
Showing posts with label peru archangel michael panel truck message. Show all posts

Saturday, June 26, 2010

Connecting the Inca Maya & Pueblo Peoples

While traveling in Peru in February the stories of the Incas, their predecessors, and the exploration of the architectural ruins felt very familiar. Allowing the experiences in South America to simmer for a few months, a strong interest in the Southwestern U.S. began to emerge from unexpected sources which showed a possible connection between the cultures. So, for about six weeks, my partner and I researched the southwest. We learned about the migration of Asian tribes across the Bering landmass, about the cliff dwellers, the petroglyphs, the geology, and the geography of the area.

Plans for a trip to New Mexico to see the connection first-hand were sealed when, waking from a dream one morning, I clearly heard a voice say, "Go to the Anasazi." With little more than trust in the next unfolding journey, we went to see the Anasazi of the dream. We had a strong sense that the stories, legends and oral histories of the indigenous people of Peru or the Maya might unfold and connect with those who lived in the American southwest. And so, in early June we visited the dwellings, ceremonial sites and the Pueblos of the ancient people who lived in New Mexico and southern Colorado.

The Geography

Arriving in Albuquerque to begin the trek north by car, the similarities in terrain and culture was immediate. The brown, dusty, landscape of the high, arid, desert mountains sitting alongside small plots of green plants was identical to that of Peru. The facial rock-formations that were prolific in the mountains of Peru were equally noticeable in the American southwest. The "spirit faces" in both lands are formed naturally by wind and the occasional water that floods the mountains in spring. The people of Peru call the faces in the mountains, Apus or spirits. They're looked upon as "guardians" of the ruins or sacred areas. The American southwest has its own myriad of faces appearing around every turn of the road. They too "guard" many of the ruins or oversee the mountains and canyons.


The Symbols


Oral history indicates the cultures worshipped nature, mother earth, the sun and the sky beings. There were symbols prominent in both cultures related to the sun. One symbol, similar in appearance, was sacred in both the Peruvian and Pueblo cultures,as it appeared in many sacred sites. The Inca chakana is a 3-stepped symbol in the shape of a cross representing the upper, middle and lower worlds. Like the Incas who revered Inti, the sun, in the Pueblo culture, the sun was revered as the giver of life. Their symbol for the sun is the Zia, a design remarkably similar to the chakana showing stepped rays of light emerging from a red circle. The symbol is found along with spirals throughout the walls of the ruins. The symbol of the Zia is still used in many settings. The state of New Mexico features it in the center of today's modern auto tags and its at the center of the state flag.

Effects of the Spanish Invasion

The Maya, Inca and Pueblo countries bear the scars of the invasion of the Spanish conquistadors about 500 years ago. Spanish continues to be the prevailing language though the indigenous tribes still use their original language. In Peru the tribal people speak Quechua or Ayamara while in the southwest the language of the original people is Tewa or a derivative of it. In the Pueblos Tewa is still taught in the native schools. The Catholic religion's dominance over the indigenous people was evident in the many churches left behind by the Jesuits. Cathedrals abound in both the Maya and Peruvian lands. However, in the American southwest, there were many more small missions or shrines to the Lady of Guadalupe, Mother Mary, or Saint Michael. Readers of past Spirit of Maat articles might remember that it was a powerful experience with Archangel Michael that guided us to Peru on the initial trip.

The Structures

Aside from the language, the colors of the land and the high mountain desert conditions, the dwellings and ruins of the ancient people proved to be the most intriguing. There was a similarity and a familiarity in how the buildings were constructed, especially the adobe structures. While the ancient stones creations of pre-Inca Peru were immense in size, those of the southwestern Pueblo people were intricate architectural structures built on a large, complex scale. Given the altitude and sheer rock faces of the mountains that they were built on, the stone-masons had mastered the art of geometry and construction.

The Inca, Maya and the Pueblo people lived and worked with respect for mother earth, the cycles of nature, and especially with spirit at the center of their lives. In Peru, the high round towers of Silustani had their compliment in the large round Kivas of the southwest. Peruvian guides told us that the Silustani towers were "burial places" while shamans claimed they were "observatories to the space brothers." While in a state of meditation, experienced on the high plateaus of Peru away from the ever-present 'tour group" I was told that these tall towers were actually "sound chambers." The towers, which were arranged in a semi-circle, had an energetic frequency alignment between each one, forming an invisible grid-pattern across the flat mesa. (photo left NM - photo above right: Peru)

While in that meditation, we were guided to conduct a sound experiment. We found that when the massive stones at the base of the circular towers were struck with another stone a deep tone could be heard. The sound reverberated from inside the small entrance hole at the base of each structure, and a low vibration could be felt. Each large stone had a different sound. So if these were in fact observatories to the space brothers, sound and vibration were probably used as a form of communication. But it wasn't until we arrived in New Mexico that we learned of a "sound connection" with the Pueblo people.

In the dwelling places of the Southwestern Pueblos large kivas were centrally built by the ancient cliff people. These kivas were large, intricately designed, round, ceremonial chambers with strategically placed openings. There were two rectangular openings into the "under world" built at the bottom of each kiva. One of the ceremonial practices performed by the Pueblo priests was the pounding of large drums which were set over the openings to the underworld on the floor of the kiva. The sound of the drums was amplified within the round chamber, and was said to be heard throughout the village echoing across the canyons. (photo above: Kiva NM)

In fact, before learning that the kivas were used as sound chambers, we climbed Bandelier's 140' high cliff dwellings with two other women, one from Switzerland and one from New Zealand. After reaching the summit, high above the trees, we then climbed ten feet down into the kiva. We positioned ourselves at directional points forming a square within the circular enclosure. Together, we began to chant the OM sound and to tone. We were later told by those outside the Kiva that the echoing sound could be heard reverberating around the walls and a vibration felt across the rock cliffs. (photo left: Bandelier Kiva)

Astronomy & Archaeology

The Maya and Inca aligned many of their temples and structures astronomically with the stars or the cycles of the sun and moon. In the southwest, we discovered that the entire tribe gathered for rituals or celebrations in the large kiva. The smaller kivas built near family quarters were used for more personal family ceremonies. But outside the main dwelling areas of the tribe, kivas were also built and these were aligned along a north-south or east-west line. Scientific researchers showed these kivas were solar and lunar observation towers marking the seasons, the years, and the cycles of nature in this agrarian society. The alignments also indicated that the structures were built along energetic Ley lines, much the same as they were in Peru where a series of temples between Lake Titicaca and the sacred valley were positioned along a "Grand Ley Line." It became obvious that the Mayans, Incas and their predecessors were not the only cultures observing or recording the stars, the sun, and the moon's cycles. (photo right: White Sands half moon)

There is also a relationship between the structures and cultures of Central, South America and the American southwest. Some of the ruins in New Mexico had "facial" protrusions out of the rock walls much like the protruding faces at the ancient site of Tiwanaku in Bolivia. While not as detailed in New Mexico, they were similar in nature and structure. Also, the openings of windows or doorways, in the shape of a large square opening over a narrower rectangular one, were identical in design to the portals in the ruins of Peru, specifically that of Aramu Muru and those of Tiwanaku. But more evidence of a direct relationship between the Pueblo, the Maya and the Peruvian Amazon was forthcoming as we continued our trek northward through the mis-named "Aztec" ruins, Chaco Canyon, the active and continually inhabited Taos Pueblo, and Mesa Verde. (Photo Left Window Door Shapes NM - Photo Right - Tiwanaku)

Chaco Canyon & Machu Picchu

Chaco Canyon was the most important hub of all the ancient Pueblo people, lying at the center of a 25,000 square mile area. It was here at this crossroads that all the people of the north, central and south Americas would gather for seasonal ceremonies and to annually trade with one another. This site, like Machu Picchu in Peru, was an archaeological and astronomical wonder as well as the center of trade, commerce, and culture for the entire region. While much of it is in ruins, the site, like Machu Picchu, was immense in size and in its significance to the people of the area. It was a monumental semi-circular center revealing the masonry scope and skills of the builders. It was at the center of more than 400 miles of extensive prehistoric roadways connecting Chaco to the outlying communities and tribes across the area. Sitting for hours and watching the sun move across the face of the canyon walls, the ancient petroglyphs in Chaco Canyon resembled street signs, welcoming visitors, identifying homes, or pointing in the direction of good elk or deer hunting. (Photo Chaco Canyon)

Oral Traditions & Astro-Archaeology

While visiting three different locations in northern New Mexico, the oral stories of three different people tied the circumstantial evidence together in a very synchronistic way. The Taos Pueblo is an active site where Taos descendants continue to live in adobe houses much the same as their ancestors did. These adobe structures are similar in design to the Peruvian adobe huts in villages all across the high plateau. Neither the Taos Pueblo nor the Peruvian adobe huts had running water or electricity; instead they drew water from a creek, river or lake.

Standing in 102 degree heat on a dusty dirt street of the Taos Pueblo, we sought relief from the elements by entering an adobe hut with its door ajar. Instead of a traditional shop selling souvenirs to visitors, this one was sparse. Hanging on one wall were ten feathered fans, and on the opposing wall, three enormous ceremonial drums, the largest about five feet in diameter, and all in various states of creation. A man's voice behind us identified the feathered healing fans on the wall that we were staring at. His name was Vernon, the tribe's Medicine Man. He told us he'd been trained since boyhood by his grandfather, the previous Medicine Man, to make the feathered fans that were to be used for healings or in ceremonies. The feathers had to be respectfully gathered from birds, and had to be smoked with white sage, blessed and healing intentions placed into the fans. Each fan took about three to four years to be completed. (Photo Taos Pueblo)

We spent a serendipitous afternoon with Vernon, learning about his upbringing, his culture and his healing craft. He showed us the healing fan made for him at his birth by his grandfather who "knew he was going to be born." Then he showed us an elegant ceremonial fan of white feathers with a brilliant orange Macaw feather that he'd made for his daughter's wedding.

It was then we learned the story of the Macaws of Central and South America and how they'd made their way into the Pueblo cultures. Vernon shared the stories of his grand-father's great-grandfather. He said in the ancient days the Mayan people often came to the region to trade with the northern people, bringing with them their customs, sacred objects, traditions, and ways of building. They also brought Macaws which were prized for their brilliant feathers. As it turned out, this was the first of several times the stories of the Mayans and the Macaws would be shared on this trip. He told us that the Pueblo War Chief and Council had agreed to send four warriors from the Taos Pueblo back to the Mayan lands with the Mayan traders, insuring safe passage and continued trade between the people of the south and the north. He said the people of the north walked all the way through Central America into South America and the people of those regions were also visitors to the north. (Photo Macaw Petroglyph)

Another synchronous meeting occurred at the "Aztec Ruins" that confirmed not only Vernon's story, but shed light on the Mayan astronomical observances. We met a park ranger whose life passion was astro-archaeology, the study of the relationship between megalithic sites and the sun, moon and stars. Marti showed us old photos of the archaeological dig at the ruins that unearthed not only Macaw feathers but the mummified remains of intact Macaw birds. She told us Macaws had been found in many of the archaeological digs giving evidence that the people of central and South America had traveled and traded widely in the area.

Solstices & Equinoxes

We spent an undisturbed afternoon with Marti who took us on a tour of the ruins. She told us how doctoral students had discovered that the windows of the great kiva had been set into the stones and aligned with the sun's passages of the equinoxes and solstices. More importantly, the researchers found that the placement of the windows in the kiva was aligned with the less well-known 18-year lunar cycle - a cycle showing the highest northern arc and lowest southern arc of the full moon every 18.6 years.

Marti said all of the Great Kivas were designed as solar and lunar observatories, perhaps learned from the Mayans. She indicated which windows corresponded to the two equinoxes and solstices during the solar year. Unbeknownst to us, earlier in the day we had been sitting in meditation inside the kiva at the exact spot that the sun would illuminate a beam of light across the chamber on the summer solstice of June 21st. (Photo Aztec Ruins Solstice Alignment - notice the Orbs)

A Navajo Future

Our last meeting was with a Navajo woman named Arna Billie Yazi, the daughter of a tribal elder who had come to Chaco canyon on that day for inspiration. She knew a little of the ancient people but felt she should learn more about the past so she could teach the young people of her tribe about hope in the future. She said there was much despair among the young Navajo with twelve suicides since the first of the year. Arna wanted to see how pride in the old cultures and ways might stimulate the young people to a better understanding of the future. We talked of Peru and Machu Picchu and how that country had created jobs, hope and opportunities for their people as they uncovered the glories of the ancient stories. We talked for over an hour. After a long pause in the conversation, Arna said, "If they can do that in Peru, why not here?" Indeed, Arna! (Photo Machu Picchu)

The Union of All People

We traveled the Pueblo lands for most of the month of June. We climbed hot, dry mountains to experience the massive stone buildings. We saw the strong similarities between ancient cultures, spiritual beliefs, the people, their homes and the land. We meditated, prayed and reflected in the ruins. We chanted with two like-minded souls from far away countries in a kiva high above the towering tree-tops. We met descendants of the ancient people who warmly shared their knowledge of the past and sang of their hopes for the future. We witnessed that all people are related, if not by DNA then surely by circumstance. We affirmed that in this connection, we are not alone nor have we ever been. We may be separated by geography or by oceans, but in the place where we open our homes and our hearts to strangers or to travelers, we are united. We truly are threads in the fabric of life, weaving an unfolding story of the unity of all people, as one single family. From the ancient peoples of Peru, the Mayan lands and the Pueblo to the people of the new earth, Om Shanti, Shanti, Shanti!

Jo - July 2010

Sunday, October 4, 2009

A Divine Message on a Panel Truck

~ Starsoundings Journals ~

A Divine Message on a Panel Truck

"The 'so-and-so group' is going to Peru."

"What do you think? Should we go?"

"I'm not sure if it feels right."

"Then let's wait until it does."

For over two years, the conversations unfolded like that without any commitment made to any of the trips. That is until Jorge Luis Delgado sent an email in May announcing a gathering of spiritual groups, tribal leaders, religious leaders, teachers and lightworkers at Lake Titicaca for a sacred ceremony called Reactivating the Solar Disk. The email went on to say he would explain the trip in more detail when he arrived in Sarasota at the end of June. And so the conversations began again. "Jorge wants us to go to Peru. What do you think? Should we go? Etc, etc."

It's clear that no one needs to physically go anywhere to do this spiritual work. Every one of us can be just as energetically effective at a distance or while present at the event. Yet, there was something about this trip that felt like it was 'a calling.' It felt different on many levels. So, we asked for guidance from the world of spirit to come in either dreams or meditations. Little did we know that in less than 72 hours it would come in such a profound and meaningful way.

While preparing for meditation one morning a feeling swept the room with a clear message. "Go to the Shrine of St Michael's in Tarpon Springs!" Without knowing if there was even a Shrine to St Michael's in Tarpon Springs we decided to go to Tarpon Springs that morning and find out. But during the meditation we got parts of a well-known symbol that was important to both of us. The symbol, called The Sacred Dalet, is a blessed seal placed on the back of all the Mandalas. In Patricia's meditation she saw the Mandala Dalet Symbol which looks like the number 7 with two half moons and two squiggly equal signs. (Photo right.) I saw the number 5 with a curl coming out of the top of it. Both of these symbols would become meaningful on the drive to Tarpon Springs.

We both had no idea why we were going to Tarpon Springs on such sudden notice but knew there had to be a reason. As we drove onto the I-75 Interstate we opened a channel to spirit asking to be shown the reason for this trek and also for guidance on going with Jorge to Peru. As we drove we began to notice billboards and car license plates with messages that appeared to be signs directly related to what we'd asked. There were so many that Patricia said "We can't put meaning into every billboard we pass." And yet, each one had a clear message.

Before long an old navy blue car passed us then pulled into the lane in front of us. In the back window of the car, written in large hand-written white block letters, was the number 5 with the curled top. It was the same design I'd seen in meditation that morning. But even more surprising, the curly topped 5 was followed by the watery squiggly equal sign with two half moons. It looked like this: 5 = )). We were awed by that handwritten symbol in the back window which combined both of the symbols we'd received in meditation. After that, the messages became more frequent. We had a sense that our question, "Should we go to Peru with Jorge?" was going to be answered.

As we continued north on the Interstate a white panel truck came up alongside. The logo on the side of the truck said Longboat Construction. This is when the answer from Spirit became unmistakable. Over the Longboat Construction name was a large Incan mask with the sun emerging behind the face in bold colors like the Peruvian Incan sun masks. We were stunned by the message. Even now, writing this account, it sounds farfetched. How did a white construction panel truck, that just happened to have a Peruvian Incan mask as part of its logo, appear next to our car, on I-75, during an unplanned day trip, at a moment in time and space, in answer to a question we'd both released to spirit less than an hour earlier?

There were many more messages enroute to the Shrine of St. Michael's that day. We passed a huge billboard with this message: 888-Admit it! On August 8, 2008 twenty-two women held a pipe ceremony to honor the portal date 8.8.8. During the meditation that evening Rev. Sharon Elizabeth received a vision to activate a crystal template of light on 9.9.9 at Lake Titicaca in Peru. Another billboard said: "You Can Certainly Choose." A third sign said "Be Gold" which we felt was a reference to the Reactivation of the Golden Sun Disk of Aramu Muru.

The billboard messages were clear but the reason for visiting the Shrine was still unclear. We finally arrived at St. Michael's, spending hours that felt like minutes. The tiny white church in an old neighborhood of small homes, was filled with silver and gold icons to St Michael and the Madonna. It was built by Maria Tsalickis, the wife of a Greek sponge diver, as a promise made in 1939 to St. Michael for saving her dying 11-year old son. In the time there we learned about Maria, her son Steve, and the many healings from cancer, blindness, and terminal illnesses that visitors had received while petitioning St. Michael in the chapel. While this was certainly uplifting, it didn't answer the underlying question of why were we told to go to St. Michael's.

Not until we returned home and began to spend weeks researching Michael did we learn of his relationship to the Sun, to Peru and to the Re-Activation of the Solar Disk. St. Michael is actually the Archangel Michael known as "the highest of the seven mountains of creation" and who is called the "Sun Spirit" according to the Book of Enoch - a book left out of the Bible by canonical decree. His name is actually Me-Ka-El which means the Spirit of Light. All of the Archangel names end in 'El', the name of the 'elder' race of 'light' immortals that colonized the ancient earth.

Pre-Egyptian Chaldaean Magi told of a Sun-God that gave life to and protected the inhabitants of the earth. To the Egyptians, Ra was known as the Sun-God, the solar deity responsible for life on earth. In the Talmudic tradition the name Michael originated in Babylon and meant "who is like God." In Greek Mythology Apollo is the God of Illumination or Light and is often depicted as the Sun moving across the heavens. Eventually, the "Sun-God" attributes of a solar deity were carried into Christianity from ancient cultures and assigned to the Archangel Michael.

The relationship between Peru and the Sun God is older than our recorded history. In the book Secret of the Andes, it is revealed that the Pre-Incas came to Peru from the "last remnant of a large ancient island in the Pacific 30,000 years ago." The High Priests who arrived built a Temple of the Sun which eventually housed an artifact known as the Golden Sun Disk. Later, Chancas, Quero and Incas honored the Sun as the giver of life and the ancestor of the people, building temples to the Sun along the Great Diagonal Ley Line stretching from Lake Titicaca to Cuzco.

George Hunt Williamson relates a channeled message from Archangel Michael in January 1956 which said: "Many temples have been raised into the etheric realms. Some day they will be lowered again when man is spiritually ready to receive them. Stones used in the construction of the Temples have been put in the hands of the High Priest where they form a connection with the Celestial Hierarchy. There are several dozens of the stones from My Own Temple (Sun Temple) in the possession of individuals at various points on the Earth's surface." One of the 'stones' referred to by Archangel Michael is the Golden Sun Disk which was put into the hands of the High Priest Aramu Muru before the sinking of Mu.

Jorge Luis Delgado is known as the "re-discoverer of the Aramu Muru portal" through which the Priest Aramu Muru disappeared with the Golden Sun Disk. Jorge said the reactivation of the Sun Disk signals the return of the Children of the Sun who will usher in a new dawn of humans who recognize and honor their spiritual heritage. This echoes Archangel Michael's words that the temples will be lowered when 'man' is spiritually ready to receive them.

The ongoing connection between the ancient Sun God and its current representation in Archangel Michael is there for those who read between the lines or research it. According to Rudolph Steiner different ages of the planet are governed by different Archangels. Steiner said "Michael's Rulership of spiritual life began in the 1870's (which was the birth of the New Thought movement.) Whenever Michael sends his impulses into human earthly evolution, he brings the Sun-Forces or the spiritual essence of the Sun. The present Michael Rulership will last three to four centuries. In this time the Cosmic forces of the Sun will penetrate into the human physical and etheric bodies. In the future, the strength of human deeds will come from solar spiritual influences working through humans."

Michael the Archangel, the Incan Sun God on the panel truck, the Shrine in Tarpon Springs, the Solar Disk, and the Peru trip may all seem like disconnected events. However, the synchronicity and resonance of all the messages that came that day was clear. After that trip to Tarpon Springs it was clear that with so many confirming messages it was a calling of a sacred journey to Peru. Its significance and importance continues to be amplified since the messages in June and the subsequent research over the last few months. Many people will hear about this trip and question if they should go or not. Some will know from a place deep inside that they were present when Aramu Muru hid the Sun Disk 500 years ago. Those will hear 'the call' to be present when it is re-awakened, and with its awakening re-activate the Sun's spiritual essence in all of us.

POST-SCRIPT COINCIDENCE

This article was prepared almost three weeks ago. Reading it again before publishing, the coincidences sounded so far-fetched I questioned how it would be received. Then a strong feeling swept over me to "send the article to Jean." Not questioning it, I sent the article to Jean. This was her reply an hour later.

"Add this to your "coincidences". An hour ago, I was in the kitchen making salad and asking if indeed, today is the day to drive up to the shrine of St. Michael in Tarpon Springs which I had gotten a message to do last week. It's getting to be late morning, so I said if I am to go, give me an unmistakable sign and I'll go. I went in to check email and not only was Archangel Michael's name in one of the other emails, which I would have taken as a pretty good hint, but when I opened your email - well, you can imagine! Add to that - part of the reason I want to go is to make a final decision on going to Peru or not. WHEW! Timing is everything. THANK YOU!" Jean H.

The rest of this story will unfold in Peru. In the sunlight of the messages,

Jo - October 5, 2009